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In the Fall of 1972, on
the advice of a friend who knew I was going
to Japan, I found my way to Ryokan
Yoyokaku in the seaside town of Karatsu in
northern Kyushu. He told me there was a man
named Mr. Okochi, who spoke English
and was friendly towards westerners. I had
studied Japanese at the University
of Washington in Seattle and I was looking
forward to a break from academia by
taking a year off. My great fortune in finding
Ryokan Yoyokaku and Mr.Okochi and his
future wife, Harumi-san, would change
my life forever.
I lived for three months
at Yoyokaku and taught conversational English
to Mr. Okochi's friends. Before long
I realized that the ryokan is the premier
setting that unlocks Japan's traditions and
spirit. Historically, at the center
of Japan's core is the love of nature. Everywhere
one looks in the Inn is the realization
that we are not meant to be separate from
nature. From the very construction
of the Inn, which relies heavily on natural
materials, to the composition and presentation
of one's meal, mostly local foods in
season that are often metaphorically linked
to myth, literary traditions, or nature,
the overriding experience of the ryokan is
the appreciation of beauty. From the
thoughtful construction of the garden,
which is usually integrated with access visually
and physically from the room, to the
ritual significance of bathing in the ofuro, to the sacredness of objects presented
in the tokonoma , one is never far from the celebration
of being alive and fully conscious.
From the sleepy fishing village
of Hamasaki four miles away to the station
in Higashi-Karatsu where Ryokan Yoyokaku
is located, the train runs parallel
to the historically famous pine forest called
Niji-no-Matsubara. When Mr. Okochi's relatives acquired
the Inn in the nineteenth century, they
designed their garden as a replica of the
pine windbreak that had characterized
the region for several centuries. This decision
to construct a garden that was inspired
by a specific topographical reference interested
me. Later that year, while visiting
gardens in Kyoto, I found this theme repeated
over and over. For instance, in the great
gardens in Katsura Rikyu in Kyoto, there is an island celebrating
Amanohashidate (Bridge of Heaven). This renowned
natural landscape of a pine-clad sandbar
is located in the Japan Sea,
in the province of Tango, where the wife
of the garden's designer was born.
Not far from Karatsu, in the castle town
of Kumamoto, there is a spectacular
garden called Suizenji . The main focus of this garden is
an enormous mountain form, over ten meters
high, leaving no doubt in anyone's
mind that it is Mt. Fuji. So one can see
how appropriate it was for Mr. Okochi's
relatives to design their garden around the
ancient pine forest that has brought visitors
to the region for centuries.
Upon entering Ryokan Yoyokaku,
one finds on the left a structure reminiscent
of the machiai , or the shelter one waits in prior to the
tea ceremony. This is a reference to
the roji or tea garden. Looking towards the
wall one notices a sliding door that represents
the entry to the teahouse. By placing
these structures at the entry, one is reminded
of the tea garden and the sacredness
that surrounds the love of nature in the
tea ceremony. Passing through the foyer,
on the right there is a large lantern,
again referencing the tea garden. Turning
left to pass through the bridge, a
glimpse of the "pine" garden is
seen in addition to another ancient
lantern. At this point part of the Inn appears
to be floating over water, and multicolored
Koi swim from one end of the pond to the
other. In the distance a waterfall
seems to be the source for the water. It
provides a tranquil, mood-setting atmosphere
not only visual but auditory. The Inn
wraps around the garden on three sides. Many
of the rooms, including the breakfast
room look out on the landscape, Ground level
rooms access the garden through sliding
doors. Second floor rooms look down
on the garden as well as providing territorial
views of the ocean and the picturesque
islands in the sea called Genkai Nada. While dining in the various rooms
at night , the garden is delicately lighted
and the pine trees seem to dance before
your eyes. During the day, fitted with geta ( the traditional wooden sandal) one
can walk amidst the pine trees in a leisurely
stroll through the garden.
I was so deeply moved by Japanese
culture during my 1972 visit to Ryokan
Yoyokaku that I returned home to start a
landscape company. My focus was to
integrate western and eastern garden aesthetic
in the Pacific Northwest via residential
landscape design and in the design of my
town garden located in Woodinville,
Washington. For almost thirty years I have
watched Mr. and Mrs. Okochi transform Ryokan
Yoyokaku into one of the premier ryokan
experiences in all of Japan. For those who
have the pleasure of staying there,
your life will be transformed forever.
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t.r.welch & associates inc.
pacific northwest/japanese gardens
phone/fax (425) 788-5028
19011 226th avenue n. e.
woodinville, wa. 98072
U.S.A.
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